Cyclical Time and Repetition In Gabriel García Márquez's Work: An Exploration Of Temporal Poetics In One Hundred Years Of Solitude

Authors

  • Akramjon Nematillayev Gofurjanovich Researcher at NamSU Teacher at the Department of Foreign Language and Literature, University of Business and Science, Uzbekistan, Namangan region, Uzbekistan

Keywords:

Narrative pace, magical realism, cyclical time

Abstract

This research encompasses an artistic investigation of the concept of time in Gabriel García Márquez's "One Hundred Years of Solitude." The study analyzes the temporal labyrinth created through cyclical temporal structure, repetition motifs, and magical realism instead of linear chronology. The distinctive temporal poetics reflecting the historical consciousness of Latin American peoples is examined through narrative techniques, grammatical devices, and narrative pace.

References

García Márquez, G. (2003). One Hundred Years of Solitude. (G. Rabassa, Trans.). Perennial Classics. (Original work published 1967)

Genette, G. (1980). Narrative Discourse: An Essay in Method (J. E. Lewin, Trans.). Cornell University Press.

Janes, R. (1981). Gabriel García Márquez: Revolutions in Wonderland. University of Missouri Press.

McNerney, K. (2000). Understanding Gabriel García Márquez. University of South Carolina Press.

Menton, S. (1993). Magic Realism Rediscovered, 1918-1981. Fairleigh Dickinson University Press.

Vargas Llosa, M. (1971). García Márquez: Historia de un deicidio [García Márquez: Story of a Deicide]. Barral Editores.

Zamora, L. P., & Faris, W. B. (Eds.). (1995). Magical Realism: Theory, History, Community. Duke University Press.

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Published

2025-09-14